COURTNEY KALBACKER
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TEACHING

PHILOSOPHY

 My teaching philosophy focuses on allowing pure musical expression by minimizing the technical obstructions to this process.   These hindrances may include vocal faults, dramatic ambiguities, or even personal insecurities and lack of confidence.  I work with each student to access their particular needs and to facilitate their artistic growth.  There is nothing more exciting than that challenge!

 While I believe strong, adaptable vocal technique is extremely important, my students are always reminded of the reason behind the work: communication of the ideas.  I believe technique grounded in classical training is the best way to achieve precise communication.  I begin lessons with breath support training that aims to reclaim the natural, free breathing style our bodies originally intended.  We work together to build consistent, focused tone that is responsive to artistic requests in all areas of the voice.  

 The improvement of vocal technique is the vehicle of artistic expression.  Along with technical matters, I discuss the poetry, diction, and dramatic intention of the music with each student.   I also like to remind my students that their voices, as musical instruments, are housed within their larger bodies.  Any factor that affects their bodies can affect their instrument.  As a teacher I try to use this to my advantage, using an ever-growing number of strategies to encourage the growth of my students.  My teaching philosophy trusts that a combination of warm enthusiasm and clear instruction can produce responsive, respectable artists.    

CURRENT POSITIONS:

Private Voice Studio 
Oklahoma City University
Performing Arts Academy

Director
Academy Youth Music Theatre Company
Oklahoma City University

English, Italian, German, and French
Phonetics (IPA) and Diction Coach

Voice Faculty
Boston University Tanglewood Institute
(summer seasons since 2007)

with a B.U.T.I. student at Koussevitsky Shed

OTHER EXPERIENCE:

Temporary Instructor
Introductory Phonetics for Singers 
Boston University, Spring 2009

Instructor and Curriculum Developer
Acting and Movement for Singers, 
Boston University Tanglewood Institute 

Assistant Director
Hotel Casablanca, Pasatieri
Oklahoma City Opera & Music Theatre Co.
2007

Student Opera Scene Director, 
Opera Workshop,
Oklahoma City University 2007




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